The importance of 2012 for visual novels

Only three Friday left before the end of the Year! If we want to believe the Mayans, only two and curiously next Friday is the 21st :)

I'm used to make some generic posts at the end of the year talking about how my year was and the future projects. Heileen 3 testing is going forward even if (luckily!) being a dating/life sim is going much smoother than Loren (which took 3 months to test in practice!).

For those that don't know yet, there's a beta demo available here:

http://www.winterwolves.com/heileen3.htm

and well, in practice the game is done except a few short scenes that we're trying to add before the official release date (but might be added in an update later).

What I want to talk about in this post is the most important events in 2012 regarding visual novels / story-based games.

The importance of Analogue: A Hate Story

Unless you've been living on the Moon, you probably heard about that game. But in my opinion was very important mostly because it was the first visual novel made in the west (probably the first visual novel ever, since Recettear is more a simulation/RPG) to appear on Steam.

And it did well. That's quite interesting, since showed that with the right product/marketing you can compete with other more popular indie genres. Yes, indies don't make only platformers! ;)

Shortly after even Magical Diary appeared (even if I know that it was accepted long before, but for some reasons was delayed for months). It is more a life sim than a plain visual novel, but it did well too and showed that there's a market beside the classic FPS or multiplayer games.

The importance of Cinders

Another very important event happened, the release of the VN Cinders by Moacube. When Tom first approached me I knew him a bit because we used to viist the same forums, but I really had no clue that he was involved in some top selling HOG (Hidden Object Games) made in the previous years. I also admit that I had no clue who Vinegaria (the artist) was :D

So imagine my surprise when he showed me some early work in progress of the game! Top quality art and music in a visual novel? No manga style artwork? that was never seen before as far as I know (well I tried with Vera Blanc but wasn't really top quality!)

I admit I had some doubts on the potential public reactions, because I thought that manga artwork and focus on romance were both key part to make a selling visual novel, but the success of Cinders proved me wrong. And I'm happy to be wrong, since it was because of that if I decided to make Bionic Heart 2, trying to focus more on story / mystery and not just romance, spending more money on art and with custom soundtrack.

The importance of Walking Dead

It amuses me when people talk about Telltale game and define it "an adventure". Yes sure, there are a few puzzles that requires some thinking, a few items you can carry, some short action scenes, but you spend 80% (if not more) of the gameplay time doing two things: reading dialogues/story and making choices!

How is called that game genre that is based on dialogues and choices that affect future outcomes? Hmm yes, I think is called Visual Novels!!! ;)

That game is receiving tons of prizes and awards, and once again shows that people are ready to spend money on a very well done story-based game. Of course such level of polish is beyond reach for most indie teams since is full 3d, with realtime animations and so on. But I was happy to see it do well (also because I'd like to play more games like that myself!).

In conclusion

This year was really important for visual novel and story-based games. And I didn't even mention To The Moon (released last year but appeared on Steam this year too), or the various Wadjet Eye adventures for example.

Of course, it was also a good year for me, mainly because of my game Loren The Amazon Princess, but I'll talk about it in detail in another post before the end of the year :)

Story based games with multiple point of view

The short video above is the introduction to my upcoming game Bionic Heart 2. What does it have to do with the title? Simple, because is a visual novel game that tells a story from multiple point of views (from now I'll abbreviate it with PoV).

For those familiar with the first title, this time you'll be able to play not only as Luke, but also as Tom, Tanya and Tina. If you don't know the first game, I urge you to find out about it immediately here! http://www.winterwolves.com/bionicheart.htm

Of course it's not a new thing. Several other games, movies, comics have used this peculiar form of storytelling. I find it very interesting... at least from my PoV ;)

I had this idea this Spring, when I was playing the game Heavy Rain, which uses this system too. And I thought it would work pretty well for the sequel of one of my early "cult" visual novels, Bionic Heart. Is fun how some games, despite selling much less than other games, can still be popular and have a following of "true fans". The first game definitely had many true fans!

Back to the topic, I find telling the story from multiple point of view very interesting. Because you can play as different characters and see the events and the various situations from their perspective, which is an interesting thing. Even in real life, how many times you wondered how it would be to be in someone else's shoes?

From the gameplay point of view, this is also interesting because decisions made with each of the four playable characters will have an impact on the game world and on the story. This really intrigues me, and since you always play in first person (even if you control a different character every time) it doesn't ruin the immersion.

A step forward could be having the option of choose which character to control in several situations. This is partly what I did on Planet Stronghold with the quests and the skills usage, but of course it was in a very smaller scale (also it was a RPG, so was only during short scenes).

Definitely making a game like that will result in a refreshing and interesting experience for the player, in particular for a game with several mysteries/secrets to unveil (like Bionic Heart 2!) but the effort in writing/planning it must not be underestimated, because is easy to make mistakes like plot holes or wrong chronological order of events.

Soon the gates of N'Mar Castle will open to the public

Today's blog post will be shorter, since as you might know I'm busy doing the final touches to Loren's expansion "The Castle Of N'Mar". I hoped to have it ready for the 15th August, but I didn't make in time. In reality it's not missing much, but we want to polish it and test well to make sure that there aren't stopping bugs early in the expansion.

I believe it's the last time will do such a non-linear RPG. For visual novels is much easier, but for a RPG is really a painful experience! Or do like Walking Dead game from Telltale (my favorite game this year) that is achieve non linearity through linearity. How is that possible?

Make a linear game that looks non-linear

In practice, doing a true non-linear plot in a RPG, with multiple solution quests is insane. The best example of this is Fallout. Typical scenario is: character A gives quest to kill character B. You stumble intoto character C and he says that he wants B dead too. Then (and here comes the fun) when you meet characte B, he makes a counter-offer: kill characters A,B and he'll give you a <insert precious rewards here>.

And the example above is just one of the simplest scenarios possible, when you don't have quests with multiple steps! Now, Fallout is one of the best RPGs series ever made, but honestly I don't think will do such a thing again in future.

For two simple reasons:

1. I'm not a multi-millionaire company with a team of 50 people :D and only testing all those multiple solution quests takes LOOOOOONG time!
2. I am not sure, in my specific case, that it can be better for players, since if I have the mutliple solution quests, the plot length will be necessarily shorter. And I think there's a solution to make a linear plot look less linear.

Point 1 is obvious, but what about point 2? I want to reconnect to Walking Dead game mechanics: you can have a story that while in practice in its structure IS linear, it appears not (or at least, appears that player's choices have a big impact on the game world).

For example in Walking Dead, during several key points you have to take "tough decisions". In one you have to decide if to attempt to save a person attacked by a zombie, or a kid nearby. No matter what you choose, the person dies - so you might think "bah not only the plot is linear, but the choice is even pointless". I know it might seem so, but in reality not! Because even if the outcome is the same, the characters related to that person and the kid will remember who you tried to save, and all the future dialogues will change to reflect that, resulting in a more immersive experience, so that the story won't feel linear at all.

I think that's the road I'll try to follow to make longer RPGs but still with several possible outcomes. And now, I'm going back working on Loren :)